TRAINING AND WORKSHOPS
Devising Methodology Training with Scott Barrow
January 5, 2019 - 10am - 4pm
Siena College (Foy 107)
515 Loudon Rd, Loudonville, NY 12211
Scott Barrow is a company member, and one of eight Master Teachers at Tectonic Theatre Project where he is an author of TTP’s Book “Moment Work – Tectonic Theatre Project’s Process of Devising Theatre.” With Tectonic Scott helped to create and performed in Laramie Project: 10 Years Later, 33 Variations, Uncommon Sense and Album (Upcoming). Scott is an Artistic Associate at the Martha's Vineyard Playhouse, and the Artistic Director of Brooklyn's Stages on the Sound. Scott works as an actor, director, playwright and fight director in and around New York where he also teaches film-making, playwriting, and Shakespeare. On Broadway, Off Broadway, and regionally, he has collaborated on new works with such luminaries as Moises Kaufman, Michael Weller, Paul Rudnick, Mark Harelick, Stephen Belber, Eve Ensler, Adam Rapp, and Robert Brustein, while playing major roles at such theatres as the New York Theatre Workshop, SHAKESPEARE AND COMPANY, Arena Stage, Hartford Stage, The Wilma Theater, Commonwealth Shakespeare, The Arden Theatre, Arkansas Repertory, The Mint, Nevada Shakespeare in the Park, DC's Studio Theatre, New Repertory, The Geva, The Olney, The Vineyard Playhouse, Trinity Rep, Cincinnati Playhouse, and New Jersey Shakespeare among others. Scott has taught at Drew University, The New School – School of Drama, Harvard University, Lehigh University and many others.
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Contact troyfoundrytheatre@gmail.com with questions.
Devising Methodology Training with Brenna Geffers of Die-Cast
January 6, 2019 - 12pm - 5pm
Siena College (Foy 107)
515 Loudon Rd, Loudonville, NY 12211
Brenna Geffers is a theater-maker and director based in Philadelphia. She has been nominated for Outstanding Direction, Outstanding Choreography, and Outstanding New Play under the Barrymore Awards and has been named Best Director by the Philadelphia Critics' Choice. She has created many new works for theater, opera, and museums like her immersive choose-your-own-adventure opera, Shadow House. She also creates highly dynamic and stylized versions of classic texts like Machinal and Marat/Sade, as well as contemporary pieces like Knives in Hens and Lulu's Golden Shoes. Brenna is a founding member of Die-Cast,a theater group dedicated to creating work for non-traditional spaces. She has been an Artist-In-Residence at the historic Powel House in Philadelphia and a member of the Philadelphia Opera Collective. She has been part of the artistic teams for Theatre Exile, EgoPo Classic Theater, Flashpoint Theatre, Rebel Theater in NYC and more.
About Die-Cast & Training:
Die-Cast believes in the Collective Creation process. Rather than following a traditional subscription model, Die-Cast incubates work within spaces that are normally inaccessible to audiences. We look to fill those spaces with the work and have the work shaped by the space in turn. The space itself is as central to the project as the text and performer. Artists have fluid boundaries based on their particular skill set and interests. Performers, designers, and director are encouraged to write and create each piece to ensure that every project is a unique expression of the exact bodies in the space. In order to support our creation process, Die-Cast uses a shared physical vocabulary between all project artists. We feel that these are the cornerstones in opening up nontraditional spaces for performance. https://www.die-castphilly.org/
Die-Cast has a training method that focuses on:
Physical Flexibility and Specificity
Core Breath Support
Vocal Resonance
Kinesthetic Awareness
New Work Generation